New York Times embeds with Cleveland Orchestra, decides it's still elite as ever

State of play: Classical music critic David Allen embedded with the orchestra during preparation for a concert, from first rehearsal to first performance.

• He chronicled how music director Franz Welser-Möst and the musicians prepared a demanding program that paired Mozart's "Jupiter" Symphony with Shostakovich's Symphony No. 11.

Zoom in: After more than two decades at the helm, Welser-Möst comes across as both meticulous and even-tempered, correcting microscopic details, acting out musical vibes and managing the players with professionalism.

Yes, but: Welser-Möst is retiring in June 2027, and will be the longest-running director in the ensemble's history when he does.

💭 Sam's thought bubble: I haven't seen the Orchestra perform in years, but I felt a sense of pride reading the critic gushing about our local musicians' craftsmanship and dedication.

• In Allen's story, the players describe their preparation as a shared responsibility, bred by an institutional culture long predating Welser-Möst.

What they're saying: "With all due respect, I doubt if any other orchestra comes as well prepared as this one," Welser-Möst says.

The bottom line: The story gives a behind-the-scenes glimpse at how excellence is maintained, and makes for eye-twinkling reading for the Cleveland homers among us.

🎻 Stop by: Check out this year's full classical music season at Severance Music Center.

Go deeper: How the Cleveland Orchestra stays at the top of classical music