"Having a more representative [Academy] electorate undoubtedly contributed to this year's nominations. In years past, it is hard to imagine as creature feature-based an item as 'The Shape of Water' leading all comers with 13 nominations."
"And equally hard to imagine having the thoroughly genre 'Get Out' and the scathing 'Three Billboards Outside Ebbing, Missouri' gradually emerging as possible upset winners."
Why they matter: "Having top contenders that are plugged into the zeitgeist has given the Oscars as much relevance as they have ever had in recent years."
"They are not hip or clever enough to draw in the young, and they don't honor enough blockbuster titles to entice the popcorn set. The show's political asides, ... fail to capture, even though they will jab at them, the deeper currents of our visceral #hashtag times."
"The decline in viewership is in part a symptom of an atomized entertainment universe that has grown from a handful of channels to Netflix, Amazon, YouTube."
If you only read one paragraph: "There has been a shift ... in the cult of celebrity. Selfies, Instagram and YouTube have made us our own celebrities; the real ones posing beside us at film premieres and restaurants have become extras in our videoed romans à clef. They don't seem as otherworldly as they once did. Notions of fame have been reinvented, and the audience has become the star in an endless loop of blurred lines."
